Mostrar mensagens com a etiqueta philippe halsman. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta philippe halsman. Mostrar todas as mensagens

09/11/15

"Mev-lut!"

It was a voice full of love, the voice of someone who had read the letters he'd sent during his military service, a trusting voice. Mevlut remembered those letters now, hundreds of them, each written with genuine love and desire; he remembered how he had devoted his entire being to winning over that beautiful girl, and the scenes of hapiness he'd conjured in his mind. Now, at last, he'd managed to get the girl. He couldn't see much, but in that magical night, he drew like a sleepwalker toward the sound of her voice.
...
© Philippe Halsman

...
Mevlut got out and walked toward the back in the darkness. As he was shutting the door on the girl, there was a flash of linhtning, and for a moment, the sky, the mountains, the rocks, the trees - everything around him - lit up like a distant memory. For the first time, Mevlut got a proper look at the face of the woman he was to spend a lifetime with.

He would remember the utter strangeness of thar moment for the rest of his life.

Orhan Pamuk, in A Strangeness in My Mind

24/10/14

My great interest in life has been people.

© Philippe Halsman & family


A human being changes continuously throughout life. His thoughts and moods change, his expressions and even his features change. And here we come to the crucial problem of portraiture. If the likeness of a human being consists of an infinite number of different images, which one of these images should we try to capture? For me, the answer has always been, the image which reveals most completely both the exterior and the interior of the subject.
Such a picture is called a portrait. A true portrait should, today and a hundred years from today, be the testimony of how this person looked and what kind of human being he was.


Philippe Halsman, aqui.